Music Mixing
Multi-track mixing across genres. From singer-songwriter to full band, electronic, hip-hop. Mixed for streaming and physical release.
Mixing and mastering for music releases, podcasts, video projects, and audio campaigns. Experienced engineers, careful monitoring, fast turnaround.
Multi-track mixing across genres. From singer-songwriter to full band, electronic, hip-hop. Mixed for streaming and physical release.
Mastering for streaming platforms, vinyl, CD, and broadcast. Loud where it should be, dynamic where it matters.
Mastering from stems instead of stereo mix. More control, better results, when the budget allows.
Multi-host podcast mixing, noise reduction, leveling, loudness compliance. Sounds professional even when source recordings are remote or low-budget.
Audio mix for video projects: dialog, music, sound effects, ambience. LUFS-compliant for broadcast and streaming.
Cleaning up old recordings, fixing problem mixes, noise reduction, audio restoration. Most problem recordings have more recoverable signal than you'd expect.
Mixing and mastering on reference-grade monitoring chains, with translation checks across systems. Critical decisions don't get made on consumer headphones.
Quote includes two revisions standard. Most projects land with the first or second pass; we're not running up the clock.
Standard turnaround 1 to 2 weeks. Rush available for release deadlines. We hold the dates we commit to.
Mixing, mastering, and stem mastering are scoped per song based on track count and complexity. Podcast and video projects are quoted by episode or project. See our pricing page for how we approach it.
Single-song mixing: 5 to 10 business days from receipt. Full album: 3 to 6 weeks. Mastering: 3 to 7 business days. Rush available.
WAV or AIFF at session sample rate (typically 44.1 or 48 kHz, 24-bit). One stem per track or grouped stems both work.
Yes. Many projects come to us for mastering only after being mixed by the artist or another engineer. We work from stereo mix or stems.
Yes. We master to streaming standards (-14 LUFS integrated typical for Spotify/Apple), broadcast standards (-23 LUFS for EBU R128), or specific delivery specs. Tell us where it's going and we'll target correctly.
Usually yes. Modern audio repair tools can fix most common issues: room noise, plosives, mouth clicks, levels. We're realistic about what's recoverable.
Tell us what you're working on. We'll come back with how we'd approach it, including whether we're the right fit.
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