Artist Sites & EPKs
Press kits, portfolios, tour pages, music players, fan signup. Designed to convert, built to load fast on any connection.
Musicians, visual artists, producers, performers, and the labels and managers that work with them. We come from the creative industries ourselves, and we build the websites, platforms, release operations, and production tooling that let creative people focus on creative work.
Press kits, portfolios, tour pages, music players, fan signup. Designed to convert, built to load fast on any connection.
Email lists, member-only content, direct-to-fan platforms. Keep more of your margin by building direct relationships with your audience.
Storefronts that don't bleed margin to monthly fees. Print-on-demand integration or your own fulfillment, your call.
Pre-save links, drop campaigns, rollout sites, fan capture, distribution coordination. Built to ship a release without 14 plugins.
Tools for booking, day-sheets, settlement tracking, routing. Built for actually-touring artists, not theoretical ones.
Mixing, mastering, post-production, audio cleanup, video edit support. Professional-grade output on realistic timelines.
We've worked across independent releases, label operations, gallery shows, and artist services. You won't need to explain what a one-sheet is or how a release window works.
We quote realistically for creative-industry budgets. Most engagements fit inside a release or campaign budget, not next to it.
ATM Group operates as a media company. Technology is a means to ship creative work, not the point of the engagement.
No. We work with artists at any career stage, from first-release independents to long-touring or long-exhibiting acts. Fit matters more than size.
No. Musicians are a strength because of our audio and release-operations background, but we work with visual artists, performers, multidisciplinary creators, and the labels and management companies behind them.
Yes. We can build the rollout site, pre-save or drop flows, fan capture, social coordination, and the operational backbone behind it. Full rollout or specific pieces, your call.
Yes. We handle mixing, mastering, and post-production through our audio engineering work. Often paired with web or release work, but available standalone.
We've worked across them. We're not lawyers or accountants, but we can build the operational systems that route data correctly to whoever does need to see it.
We quote per project and try to stay realistic for creative-industry economics. Most artist sites land in a few thousand dollars; full campaigns scale up from there. See our pricing page for the full picture.
Yes. We're used to working with managers, label A&Rs, gallery reps, and other stakeholders. We can be the technical lead on your team, or the build partner under your existing manager. Whichever is cleanest.
Tell us what you're working on. We'll come back with how we'd approach it, including whether we're the right fit.
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